18 Books Under 180 Pages

on Thursday, September 24, 2020
I had big plans for 2020. Get this blog going again. Make a decent start on my next book. Read some great big bricks that I've been putting off for years. Chew through any others that are released along the way. Now, I sit at my desk staring at my TBR shelf, physically repulsed by the spines of Charlie Kaufman's Antkind, Krasznahorkai's Baron Wenckeim's Homecoming, David Mitchell's Utopia Avenue and Alex Pheby's Mordew. Holy shit I want to read them. Especially the Pheby. But the brain fog brought on by the pandemic and all the crappiness associated with it has laid waste to my (admittedly optimistic) plans. And so, like many others, I have been reading short books. Lots of them. Not that I'm complaining.

There's been a lot of chatter on the socials about which novellas people should be reading. Lithub put out a great list. And I loved Caustic Cover Critic's 50 Short Excellent Books You Can Read in One Hit in Isolation. So, jumping on the bandwagon, here's a bunch of novellas I love. I've tried to mostly stick to books that have flown under the radar. Also, I'll probably make a series of these. My novella shelf is jam packed and double stacked!

EAT HIM IF YOU LIKE by JEAN TEULE
Based on a true story, Eat Him If You Like is a deliciously savage rumination on political unrest, mob rule and collective guilt. The deputy mayor of a small French village goes to market to buy a pig for his poor neighbour. But when one villager mistakenly "hears" him make a pro-Prussian comment, the villagers are enraged. Swept up in a frenzy, they kill and eat the hapless poli. Needless to say, it's not hard to find contemporary parallels.


THE GRAVEYARD by MAREK HŁASKO
A crushing portrait of life in Communist Poland, The Graveyard tells of a hapless factory worker systematically destroyed by the faceless powers that be after he drunkenly abuses a policeman.


DOPPELGÄNGER by DAŠA DRNDIĆ
Drndić called Doppelgänger her "ugly little book" and, while she may be right, it also distills everything that was great about her into two strangely-linked stories. It starts with two old people masturbating one another through their adult diapers on a park bench and ends with a man suiciding by slamming his head against the steel doors of a rhino enclosure. In between, we get all the ugliness of 20th century European history. A perfect, sickening gem.


THE TIDINGS OF THE TREES by WOLFGANG HILBIG
In the ashes of what was once a forest, a failed writer encounters inhabitants called Garbagemen who are sorting through the detritus of a destroyed civilisation and arranging discarded mannequins into obtuse poses. This is horror at its most existential.


BESIDE THE SEA by VERONIQUE OLMI
Rendered in a voice so convincing, so maudlin, so devoid of hope, Beside The Sea is the confession of a young mother who has taken her two young sons to a seaside town in order to kill them. There are no fancy tricks here, just the crushingly pained words of a woman who has been failed by the system and sees no alternative but to snuff out their little lives. The single most devastating book I've ever read.


TOO LOUD A SOLITUDE by BOHUMIL HRABAL
I can relate to no character in modern literature more than Hanta, the tragic wastepaper compacter who narrates this novel. Although his job is to collect and crush discarded books, he is also a saviour of greater works, pulling them from the trash piles and stuffing them in his bag to take home. His little house is crumbling under the weight of all the books, but his love for literature far exceeds his sense of self-preservation. One of my favourite books about the love of books.


CHRIST'S ENTRY INTO BRUSSELS by DIMITRI VERHULST
The whole city goes into conniptions when word leaks out that Jesus is back and he's coming to Brussels. Verhulst's book is an hilarious excoriation of our celebrity/religion/consumer obsessed society.


COMEDY IN A MINOR KEY by HANS KEILSON
A "righteous gentile" is bitterly disappointed when the Jew he is hiding in the attic dies, meaning that he will not be able to reap the glory. Plus there's the small issue of disposing of the body. A sharp satire on the limits of altruism.


THE FISH GIRL by MIRANDI RIWOE
A gorgeous novella that makes high art of Somerset Maugham's scraps, The Fish Girl will draw you in gently before plunging a thousand daggers into your soul. A hugely deserving winner of the wonderful Viva La Novella prize a few years ago.


KLAUS KLUMP: A MAN by GONÇALO M. TAVARES
The third book in the consistently brilliant "Kingdom" trilogy of linked novellas, Klaus Klump tells the story of a man devoid of values bumbling his way through a bleakly amoral world. Cold, exististential brilliance. I also recommend Tavares's Neighborhood cycle as an intidote - it's bloody hilarious and absurd.


A WHOLE LIFE by ROBERT SEETHALER
Rare is the book that can so profoundly move me in so few pages. A Whole Life is the story of a very ordinary man, a cripple carving out an unremarkable existence in the Austrian Alps, who is swept up as a bit player in historical moments of the 20th century. I really can't speak highly enough of its subtle, radiant beauty.


PINK MIST by OWEN SHEARS
Ok, I'm sort of cheating here. Pink Mist is a novella, but it's in the form of a prose poem. Still, as a searing indictment on the sheer horror and futility of war I can think of few equals. I think I cried multiple times. Absolutely magnificent.


THE CHILDREN'S CRUSADE by MARCEL SCHWOB
Children leave their homes en masse to find the Holy Land, but are instead tricked and sold to slave traders. Those familiar with this medieval legend will somehow still find themselves horrified by Schwob's masterful, dreamlike retelling. Reads like a fable forced through a mincer. I mean that as a compliment.


A DEVIL COMES TO TOWN by PAULO MAURENSIG
The devil, posing as a publisher, turns up in a town full of aspiring writers. Nastiness, petty jealousy and all-round hilarity follow. A pitch perfect fable that is eminently relatable while maintaining that other-worldliness that is the hallmark of the form. Every writer should read this.


THE DEVIL'S WORKSHOP by JACHYM TOPOL
The narrator is mistakenly identified by a weird Belarussian cabal, as the man who 'saved' Terezin and made it a popular destination for Holocaust tourists. Hoping to build a monument of their own, they kidnap him and set him on the task of popularising The Devil's Workshop, the 'ultimate' house of horrors. A short, absurdist fairytale, Topol's book hilariously lampoons its subject while giving pause for serious thought about the boundaries of respectable commemoration.


THE A26 by PASCAL GARNIER
Crime fiction doesn't get much better than this masterpiece of amorality. Having been diagnosed with terminal cancer, Bernard finds himself free from society's shackles. What follows can only be described as a rampage of depravity.


MAD SHADOWS by MARIE-CLAIRE BLAIS
What was it that Tolstoy said about families? Well the one at the centre of Mad Shadows must be the most singularly miserable, unlikeable family of all time. A thoroughly nasty, unpleasant, misanthropic delight. I loved it!


LATE SONATA by BRYAN WALPERT
Beautifully-crafted, thoughtful, and elegiac, this gorgeous novella has big and profound things to say about ageing, creativity and the nature of love through time that greatly belies its brevity. Another Viva La Novella prize triumph.

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